STUDIO+SPACE project gallery...

26.7.05

Journey's Seed

Journey’s Seed
by Anthony McInneny, artist and arch-peace member
(located in Box Hill, Melbourne - Destination 109)

The two sculptural works were developed in response to the information gathered from Whitehorse residents from all walks of life about their journeys and sense of place and space.

The site of the works was chosen as a public space of movement, of gathering and transition.

Essentially, the forms are derived from the shape of safety mirrors seen in most places of pedestrian and vehicular movement. The idea that being able to see around corners and into the future offered a novel notion of a sense of belonging in a public place. The idea that safety is simply derived by being known and seen by others was most simply stated in the use of the convex mirror. The idea of reflection, distortion and amplification reinforced this idea – being seen from a wider angle and, at the same time, being able to survey the space wider than our field of vision or point of focus.

The second idea working in these sculptures is the notion of space itself. The patterns at the base and reflected in the works represent various ambiguous pictorial representations of space. Two-dimensional patterns from the east, west and Australia are derived from tile, weaving and flora motifs respectively.

Lastly, the works are designed to float in the space and, depending on the time and day, virtually disappear. The rhythm and dynamic of the pieces engages with the movement of people as they traverse the space from tram to the commercial and educational centres that make Box Hill a thriving city.

25.7.05

something about temporary housing...


Something about temporary housing and the need for permanent solutions...

Under the direction of our team leader, Karen Tanfield, we have been working very hard, juggling work (paid), families, the AFP normal stuff and trying to get a submission ready for the Canberra Biennial. The topic was "temporary housing".In the research process we found many aspects about housing that are important, for example, the shortage of permanent accommodation for locals as well as refugees.
Some comments from our interviewees addressed the way that we "professionals" regard emergency accommodation. According to them, we tend to tackle the solution as a design object detached from the real needs of its inhabitants. The question is then asked, “ Is this good enough"?

Our submission to the Biennial was an abstract installation that looked at the experience of homelessness in Australia. Whether our submission is built or not, the process was fantastic and involved four different disciplines, social planning, urban design, public art and architecture. Karen will present the research in October. In the meantime there are a number of new competitions that are coming up soon as well as a possible friendship project in Cape Town, South Africa so please contact us if you would like to be involved.

the team: Shelley, Karen, Su, Agus, Ceri, Beatriz



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